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Jenny Jozwiak, Blue Walkway, Morocco, Photograph |
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Lucong, Tabitha, oil on panel. Courtesy of Gallery Henoch |
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Eric Zener, Into the Light Again, oil on canvas. Courtesy of Gallery Henoch |
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Greg Drasler, For Walker Evans, oil on linen. Courtesy of Betty Cuningham Gallery |
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Aaron Johnson, The Triumph of Death, acrylic on polyester knit mesh. Courtesy of Stux Gallery |
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Pieter Hugo, from Permanent Error. Courtesy of Yossi Milo Gallery.
Pieter Hugo’s new series depicts Agbogbloshie, a massive dump site for technological waste on the outskirts of Ghana’s capital city, and the locals who burn down the components to extract bits of copper, brass, aluminum, and zinc for resale. Tons of outdated and broken computers, computer games, mobile phones and other e-waste are shipped to the area as “donations” from the West, under the guise of providing technology to developing countries. Rather than helping to bridge the digital divide, the equipment is transformed into noxious trash threatening the health of the area’s inhabitants and contaminating the water and soil. -Yossi Milo Gallery |
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Jonathan Allen, Made in China, paint, collage, pencil on linen. Courtesy of Lu Magnus |
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Benjamin Anderson, Winddance, oil and enamel with wax on wood panel |
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Audrey Vrady, Fixed Habitacion. Courtesy of Sputnik Gallery |
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Ethan Murrow, Same Echo, graphite on paper. Courtesy of Winston Wacher Gallery |
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Art Boden, Ballerina, acrylic on canvas |
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Sharon Sprung, Tangent, oil on panel. Courtesy of Gallery Henoch |
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Max Ferguson, Time, oil on panel. Courtesy of Gallery Henoch |
